We investigate whether acoustic emotion recognition models can serve as proxies for the Pathos dimension in political speech analysis, as operationalised by the TRUST multi-agent large language model (LLM) pipeline. Using a Bundestag plenary speech by Felix Banaszak (51 segments, 245 s) as a case study, we compare three analysis modalities: (1) emotion2vec_plus_large, an acoustic speech emotion recognition (SER) model whose continuous Arousal and Valence values are derived via post-hoc Russell Circumplex projection; (2) Gemini 2.5 Flash, an LLM analysing the full speech audio together with its transcript in an open-ended, context-aware fashion; and (3) TRUST-Pathos scores from a three-advocate LLM supervisor ensemble. Spearman rank correlations reveal that Gemini Valence correlates strongly with TRUST-Pathos (rho = +0.664, p < 0.001), whereas emotion2vec Valence does not (rho = +0.097, p = 0.499). We further demonstrate, via a systematic quality evaluation of the Berlin Database of Emotional Speech (EMO-DB) using Gemini in an open-ended annotation paradigm, that standard SER benchmark corpora suffer from acted speech, cultural bias, and category incompatibility. Our results suggest that LLM-based multimodal analysis captures semantically defined political emotion substantially better than acoustic models alone, while acoustic features remain informative for low-level Arousal estimation. Future work will extend this approach to video-based analysis incorporating facial expression and gaze.

Interactive streaming music generation promises the use of generative models for live performance and co-creation that is impossible with offline models. However, SOTA models exist in the discrete-AR regime, requiring industrial levels of compute for both training and inference. In this work, we investigate whether audio diffusion models, with their wide support in the open-source community but non-streaming bidirectional nature, can be repurposed efficiently into interactive models accessible on consumer hardware. By taking a critical look at the modern pipeline for block-wise outpainting diffusion, we identify critical inefficiencies during inference that result in strictly worse computational efficiency than their discrete-AR counterparts. We propose Live Music Diffusion Models (LMDMs), a simple modification of the generative diffusion process that recovers, and then outperforms, the inference complexity of the discrete Live Music Models (LMMs) through block-wise KV Caching. Unlike LMMs, LMDMs further enable stable post-training alignment through our novel ARC-Forcing paradigm, reducing error accumulation without any explicit RL or reward models. We demonstrate the application of LMDMs in a number of creative domains, including text-conditioned generation, sketch-based music synthesis, and jamming. We finally show how LMDMs can be used as a generative instrument in a real artist-AI collaboration, utilizing LMDMs as a "generative delay" to transform musicians' improvisation live for variable timbral effects while running locally on a consumer gaming laptop.

Audio context determines which sound components and sources are relevant and which can be perceived as irrelevant (noise) by listeners. For example, traffic noise is informative in urban surveillance but noise for a phone call at the same location. Most current audio denoising systems apply fixed target-noise definitions, often removing useful components in one context while failing to suppress irrelevant components. To address this, we introduce the concept automatic contextual audio denoising (ACAD) which defines target and noise based on the inferred context. In this work, we restrict context to be associated with an acoustic scene class. We label sound events outside the event distribution of a scene class (noise) as out-of-context (OC) and events typical for that scene as in-context (IC). We implement a deep learning method that automatically infers the context of the audio signal and removes OC components, and benchmark it against variants: without context inference, with oracle context, and with separately provided uninformative context. On paired clean/noisy data across diverse contexts, where OC components in one context may be IC in another, our proposed method outperforms other approaches across standard objective metrics, indicating that the model can infer context and context-dependent processing can enhance denoising.

User-defined keyword spotting (KWS) is crucial for personalized voice interaction, yet existing methods face several challenges: (1) insufficient discriminability among confusable words, (2) performance inconsistency across speakers with varying pronunciations, and (3) high data cost to ensure reliable wake-word performance. In this paper, we introduce DMA-KWS, an efficient and robust framework for user-defined keyword spotting. First, it adopts a dual-stage matching pipeline: CTC decoding with streaming phoneme search to locate candidate segments, followed by QbyT with a phoneme matcher for fine-grained verification, enabling it to better distinguish confusable words. Next, multi-modal enrollment fuses user-specific speech with text embeddings to further improve accuracy for registered users. Finally, a parameter-efficient continual adaptation mechanism performs lightweight updates using synthetic and real data. Extensive experiments demonstrate the superior performance of DMA-KWS. On the LibriPhrase Hard subset, it achieves 97.85% AUC and 6.13% EER, reaching state-of-the-art performance. In speaker-dependent settings, DMA-KWS consistently outperforms text-only enrollment, demonstrating significant performance gains. Moreover, the proposed parameter-efficient fine-tuning mechanism adapts DMA-KWS with only 187k updated parameters, further enhancing KWS performance while ensuring suitability for on-device deployment.

A soundscape is composed of three types of sound: biophony (sounds made by animals), geophony (natural abiotic sounds) and anthropophony (sounds made by humans). A key research question in the field of soundscape ecology is how these components interact with each other, specifically how biophony responds to geophony and anthropophony. Nevertheless, as of today, there are not many analytical instruments that enable the distinct quantification of these elements. Recent machine learning (ML) approaches aim to support automated analysis but often rely on task-specific or clean data, limiting generalisation to noisy passive acoustic monitoring (PAM) recordings. This study presents a clear and reproducible structure to build ML models for coarse soundscape classification and introduces CoarseSoundNet, a deep learning model trained to distinguish biophony, geophony, and anthropophony under realistic PAM conditions. We systematically investigate model architectures, the influence of an additional training class, data composition, and evaluation strategies. Our findings suggest that model performance improves with additional PAM data, especially when similar to the target domain, and by introducing an explicit silence class during training. Class-specific decision thresholds and duration-based constraints further enhance performance, particularly for anthropophony and geophony. Error analyses exhibit challenges for anthropophony due to masking effects and confusions for silence and insect sounds for geophony and biophony. Finally, we conduct an ecological case study which shows that pre-filtering recordings with CoarseSoundNet yields acoustic index trends comparable to ground-truth filtering, supporting its use as an effective preprocessing tool for ecoacoustic analyses.

Passive acoustic monitoring enables continuous, non-invasive biodiversity assessment across diverse ecosystems. The scale of these datasets has driven the adoption of machine learning, with supervised approaches showing strong performance. However, supervised methods require time-resolved annotated datasets, which remain scarce, especially in complex tropical soundscapes. We present PteroSet, a curated dataset of strongly annotated Neotropical bird vocalizations recorded in Puerto Asis (Putumayo) and Pivijay (Magdalena), Colombia, between 2023 and 2025. The dataset comprises 563 recordings (73.62 h) and 15,372 time-frequency annotations, including 6,702 events identified to the species level across 168 species. We release the annotations in a COCO-inspired JSON schema that unifies audio files, taxonomic categories, and labels for machine learning workflows. Beyond providing annotated data, PteroSet serves as a realistic benchmark that highlights key characteristics of tropical soundscapes, including acoustic co-occurrence and domain shift across recording sites. We provide a deep learning baseline for binary bird detection, demonstrating PteroSet's usability and the challenges it presents.

Sound Event Detection (SED) plays a vital role in audio understanding, with applications in surveillance, smart cities, healthcare, and multimedia indexing. However, conventional SED systems operate under a closed-world assumption, limiting their effectiveness in real-world environments where novel acoustic events frequently emerge. Inspired by the success of open-world learning in computer vision, we introduce the Open-World Sound Event Detection (OW-SED) paradigm, where models must detect known events, identify unseen ones, and incrementally learn from them. To tackle the unique challenges of OW-SED, such as overlapping and ambiguous events, we propose a 1D Deformable architecture that leverages deformable attention to adaptively focus on salient temporal regions. Furthermore, we design a novel Open-World Deformable Sound Event Detection Transformer (WOOT) framework incorporating feature disentanglement to separate class-specific and class-agnostic representations, together with a one-to-many matching strategy and a diversity loss to enhance representation diversity. Experimental results demonstrate that our method achieves marginally superior performance compared to existing leading techniques in closed-world settings and significantly improves over existing baselines in open-world scenarios.

Recent progress of voice conversion~(VC) has achieved a new milestone in speaker cloning and linguistic preservation. But the field remains fragmented, relying on specialized models for linguistic-preserving, expressive, and singing scenarios. We propose OneVoice, a unified zero-shot framework capable of handling all three scenarios within a single model. OneVoice is built upon a continuous language model trained with VAE-free next-patch diffusion, ensuring high fidelity and efficient sequence modeling. Its core design for unification lies in a Mixture-of-Experts (MoE) designed to explicitly model shared conversion knowledge and scenario-specific expressivity. Expert selection is coordinated by a dual-path routing mechanism, including shared expert isolation and scenario-aware domain expert assignment with global-local cues. For precise conditioning, scenario-specific prosodic features are fused into each layer via a gated mechanism, allowing adaptive usage of prosody information. Furthermore, to enable the core idea and alleviate the imbalanced issue (abundant speech vs. scarce singing), we adopt a two-stage progressive training that includes foundational pre-training and scenario enhancement with LoRA-based domain experts. Experiments show that OneVoice matches or surpasses specialized models across all three scenarios, while verifying flexible control over scenarios and offering a fast decoding version as few as 2 steps. Audio samples are available on demo page.

Audio effects (FX) such as reverberation, distortion, modulation, and dynamic range processing play a pivotal role in shaping emotional responses during music listening. While prior studies have examined links between low-level audio features and affective perception, the systematic impact of audio FX on emotion remains underexplored. This work investigates how foundation models - large-scale neural architectures pretrained on multimodal data - can be leveraged to analyze these effects. Such models encode rich associations between musical structure, timbre, and affective meaning, offering a powerful framework for probing the emotional consequences of sound design techniques. By applying various probing methods to embeddings from deep learning models, we examine the complex, nonlinear relationships between audio FX and estimated emotion, uncovering patterns tied to specific effects and evaluating the robustness of foundation audio models. Our findings aim to advance understanding of the perceptual impact of audio production practices, with implications for music cognition, performance, and affective computing.

We present Music102, an advanced model aimed at enhancing chord progression accompaniment through a $D_{12}$-equivariant transformer. Inspired by group theory and symbolic music structures, Music102 leverages musical symmetry--such as transposition and reflection operations--integrating these properties into the transformer architecture. By encoding prior music knowledge, the model maintains equivariance across both melody and chord sequences. The POP909 dataset was employed to train and evaluate Music102, revealing significant improvements over the non-equivariant Music101 prototype Music101 in both weighted loss and exact accuracy metrics, despite using fewer parameters. This work showcases the adaptability of self-attention mechanisms and layer normalization to the discrete musical domain, addressing challenges in computational music analysis. With its stable and flexible neural framework, Music102 sets the stage for further exploration in equivariant music generation and computational composition tools, bridging mathematical theory with practical music performance.

While flow-matching text-to-speech (TTS) achieves strong zero-shot speaker similarity and naturalness, it remains susceptible to content fidelity issues, particularly skip and repeat errors from imperfect alignment. We propose RobustSpeechFlow, a training strategy that improves alignment robustness by extending contrastive flow matching with length-preserving repeat and skip latent augmentations. Requiring no external aligners or preference data, our method directly penalizes realistic failure modes and readily integrates into existing pipelines. On Seed-TTS-eval, it reduces the word error rate (WER) from 1.44 to 1.38 using only 0.06B parameters. On our ZERO500 benchmark, it delivers consistent intelligibility improvements across diverse speaker and prosody conditions; at NFE=24, it reduces English character error rate (CER) from 0.48\% to 0.35\% and Korean CER from 0.81\% to 0.57\%. Audio samples: https://robustspeechflow.github.io/

This paper presents an overview and the technical framework of the ICME 2026 Grand Challenge on Academic Text-to-Music Generation (ATTM). Despite the rapid progress in text-to-music generation (TTM) systems, the field is currently dominated by models trained on massive proprietary datasets with industrial-scale computational resources, creating a significant barrier for academic research. To address this, the ATTM Challenge establishes a fair-play benchmark that requires participants to train generative models strictly from scratch using a standardized, CC-licensed subset of the MTG-Jamendo dataset containing only instrumental music. The challenge is divided into two tracks: the Efficiency Track (limited to 500M parameters) and the Performance Track (no parameter limit). Submissions are evaluated through a multi-stage process involving objective metrics, including Frechet Audio Distance, CLAP score, and a novel Concept Coverage Score (CCS), followed by a subjective listening test. By providing open-source baselines, preprocessing pipelines, reference captions, and public evaluation code for computing FAD and CLAP, this challenge aims to facilitate and promote TTM research in academic contexts.

The growing use of information hiding in network streaming media for covert communication poses a significant security threat, necessitating the development of robust detection technologies. However, existing steganalysis methods for network voice streams mostly rely on data distributions in specific scenarios, making it difficult to adapt to the practical detection needs of non-homologous data distributions. Through Hessian analysis, we find that the loss landscapes of mainstream models are dominated by numerous saddle points and sharp local minima, rendering them highly sensitive to data distribution shifts and fundamentally limiting generalization. Therefore, we propose a new optimizer, Domain-Aware Sharpness Minimization (DASM). The core mechanisms of DASM consist of two aspects: first, it integrates domain-supervised contrastive learning with sharpness-aware optimization, explicitly preserving inter-domain feature separation while seeking flat minima; second, we design an adaptive domain gap modulation strategy that dynamically calibrates the optimization loss weights by sensing the real-time feature separability of different domains. Extensive experimental results demonstrate that our method outperforms the state-of-the-art methods by a large margin and achieves excellent generalization and robustness.

Underwater acoustic target recognition is critical for maritime applications, yet it faces challenges arising from the complex and diverse nature of ship-radiated noise. To address these issues, we propose a robust deep learning-based framework. First, we introduce a feature extraction and fusion method based on variational mode decomposition (VMD) and the 3/2-D spectrum to generate high-fidelity 2-D DEMON spectral features, which effectively capture modulation envelope information. To further enhance feature representation, we design a one-dimensional convolutional neural network (1-D CNN) integrated with a novel Multi-Stage Multi-Type Attention Mechanism (MMATT) that adaptively refines features at different network depths. Within this mechanism, we propose a Residual Channel-Independent Spectral Attention Mechanism (R-CISAM) and a Multi-Scale Separate-and-Fuse Spectral Attention Mechanism (MS-SFSAM). Moreover, to mitigate performance degradation caused by severe class imbalance inherent in real-world ship-radiated noise data, we devise an Adjustable Class-Balanced Focal Loss (ACBFL), which provides flexibility across tasks with varying degrees of imbalance. Experimental results on a real-world ship-radiated noise dataset demonstrate that the proposed solutions effectively enhance underwater acoustic target recognition performance.

Large speech recognition models like Whisper-small achieve high accuracy but are difficult to deploy on edge devices due to their high computational demand. To this end, we present a unified, cross-library evaluation of post-training quantization (PTQ) on Whisper-small that disentangles the impact of quantization scheme, method, granularity, and bit-width. Our study is based on four libraries: PyTorch, Optimum-Quanto, HQQ, and bitsandbytes. Experiments on LibriSpeech test-clean and test-other show that dynamic int8 quantization with Quanto offers the best trade-off, reducing model size by 57% while improving on the baseline's word error rate. Static quantization performed worse, likely due to Whisper's Transformer architecture, while more aggressive formats (e.g., nf4, int3) achieved up to 71% compression at the cost of accuracy in noisy conditions. Overall, our results demonstrate that carefully chosen PTQ methods can substantially reduce model size and inference cost without retraining, enabling efficient deployment of Whisper-small on constrained hardware.